Bungle/ Faith No More’s bastardizations of Broadway-esque schmaltz. Unfairly or not, Puciato will continue to draw comparisons to Patton, especially on songs like “Surrogate,” where Dillinger scrapes close to Mr. When Puciatio replaced original frontman Dimitri Minakakis in time for 2004’s sophomore full-length Miss Machine, he immediately increased the band’s threshold for melody, but he had to wait until after the Mike Patton collaboration EP Irony Is a Dead Scene to show the world his range. The song also stands out for how much vocalist Greg Puciato sounds genuinely unhinged. Not since Candiria’s heyday have extreme metal and jazz sounded like they belong together-a huge achievement for a band that built its reputation on sheer angularity. On “Low Feels Blvd,” DEP’s familiar spazz-out crunch morphs into a grand jazz fusion section that you’d otherwise mistake for a Pat Metheny or John McLaughlin record. It’s the first of several reminders that they are leaving some untapped potential on the table as they close out their career. “Fugue” makes you wish that Dillinger Escape Plan did a few more Aphex Twin covers or collaborate on a split with Squarepusher. “Fugue,” the first of those four tracks, tastefully emulates Squarepusher’s hyper-busy brand of synthetic future jazz before opening up into a vista of delicate, gloomy ambiance. In one four-song stretch, Dillinger Escape Plan stride across a variety of styles as confidently as the one they invented. Of course, Dillinger Escape Plan take sharp turns away from that template as well-often in the same song.ĭissociation hits its stride when the band grafts new elements onto its classic sound-something that, for all their chops, hasn’t been easy to pull off in the past. Dissociation, the band’s sixth and final album, touches often on the now-familiar template of pounding, grindcore-level noise flurries that once shook the world. As capably as they had found a middle ground, those albums pointed to a holding pattern. By their last two albums, Option Paralysis and One of Us Is the Killer, the band had settled into marrying their signature mathcore style with high concentrations of melody and mid-tempo groove. Every post- Calculating Dillinger Escape Plan album has contained head-scratching deviations from the original sound, something founding guitarist Ben Weinman and the original lineup once defined so clearly.
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